Holly Day, “Hope at the Gates of”

Holly Day’s poetry has recently appeared in The Cape Rock, New Ohio Review, and Gargoyle. Her newest poetry collections are A Perfect Day for Semaphore (Finishing Line Press), In This Place, She Is Her Own (Vegetarian Alcoholic Press), A Wall to Protect Your Eyes (Pski’s Porch Publishing), I’m in a Place Where Reason Went Missing (Main Street Rag Publishing Co.), and The Yellow Dot of a Daisy (Alien Buddha Press).

Hope at the Gates of

We wait for the odd angels to hear our prayers, wait so long
we’re not surprised when they descend clumsily and awkwardly like
large, winged elephants. When you’re this lost
you’ll take any type of salvation you can get, even if
the Messiah that shows up is dangling from a lowered rope
or has scores of helium balloons tied around His waist.

When the floodgates of Heaven finally open up
we’re all surprised to find we know people in the incoming crowd
who really don’t belong there, should not be in line
for eternal bliss or redemption. Rumors cycle
regarding possible payoffs and bribes, miscommunications of
the general Message. Someone says your name
and laughs.

 

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Publishing News

Two new chapbooks out from Kelly Samuel, a Clementine Unbound contributor. Both books are now available to order:

Words Some of Us Rarely Use

and

Zeena / Zenobia Speaks

 

Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

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Gabriel Lee, “The Dove Hunt”

Gabriel Lee’s work has previously appeared in Into the Void Magazine and is forthcoming from Riggwelter Press. He attends the University of Arkansas at Monticello.

The Dove Hunt

it is September and men
with painted faces come
to take the sacrament
of an immaculate morning

the sky looks solid as a sheet
of glass balanced on the pines
clouds condensing from God’s breath
when the first brace appears

the illusion is shattered—
replaced with the image of empty
space disintegrating into feathers
while the doves fall into dogs’ mouths

smoke still whispers in the gun barrels
when the dogs return exultant
the doves twitch their pockmarked
wings in a gesture of resignation

to the Assumption of birdshot
reaping of the naked air until the men
throw the birds over their work worn shoulders
and trudge downhill like setting suns

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

Brian McCloskey Leibold, “Loss Follows”

Brian McCloskey Leibold has worked as a construction laborer, a conservation corps member, a dishwasher, a Papa Johns delivery driver, a Panera Bread delivery driver, and a cashier. His poetry has been published in HeartWood Literary Magazine and Muddy River Poetry Review. He lives in Mount Jackson, Virginia.

Loss Follows

Who knows how to go boldly from womb to tomb?
Who knows how to chow on, chow on, chow on
From month to month to month?

Go for cozy worn-down vows.
Long for worth from soft words.
Stop. Hop downtown

To clown off
Or drown on
Old Crow. Lo,

Loss
Follows.

No good to hold on, nod off, slog for gold
From morn to noon, howl for God
From noon to moon. Soon, too soon,

Loss
Follows.

Look, don’t worry, knock on wood
To block knocks on doors
From old knock-down doom.

No good, good world:
Food rots. Fog dogs
Most moods. Moss grows.

Loss
Follows.

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

Jan Bottiglieri, “[You’re talking about memories.]”

Jan Bottiglieri lives and writes in Schaumburg, Illinois. She earned her MFA in poetry from Pacific University and is a managing editor with the poetry annual RHINO. Her poems have appeared in journals including Rattle, Court Green, Sugar House Review, and Best Poetry of the Midwest. She is the author of two chapbooks and the full-length collection, Alloy, from Mayapple Press.

Editor’s note: The following poem is from Ms. Bottiglieri’s current manuscript, titled Everything Seems Significant, which is a chapter-by-chapter ekphrastic response to the Final Cut Blu-ray of Ridley Scott’s seminal 1982 film, Blade Runner.

 

[You’re talking about memories.]

Memories—you’re talking about memories
I’d said. Then he spread hers out: memories.

Shot after shot, my black-banded bottles:
boneshape to blur to blackout memories.

My photographs, my artifacts. Collect
and re-collect: what place without memories?

Daydream of hoofbeat, pulsepound in white.
So much sound and light make me doubt memories.

Snake-scale shaped like a tear, a drop, a seed.
What could I plant that would sprout memories?

What was becomes what is. The little veils,
the listen, Pal. Fashions rout/e memories.

Do you love them? Do you trust them? What can
we ever rely on that won’t flout memories?

Asked my name, I blurt B263-54,
then blank. What’s that say about memories?

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

William Miller, “Shelley’s Boat Boy”

William Miller’s seventh full-length collection of poetry, The Crow Flew Between Us, is forthcoming from Aldrich Books in Spring 2019. His poems have appeared in The American Poetry Review, The Southern Review, Prairie Schooner, and West Branch. He lives and writes in the French Quarter of New Orleans.

Shelley’s Boat Boy

Who remembers me?

I was hired by the day,
served the Englishman
with the funny voice,
skinny as a water bird.

Someone in the village
said he was a poet,
a bankrupt Lord
on the run with two women.

I only wanted a day’s work,
enough to buy fish and bread,
feed my mother and myself.

And what man sails into a storm,
a bad sea churning,
as if he wasn’t mortal,
food for sharks?

I told him once, twice,
three loud times, “Basta!”
But he refused, never reefed
the foresail.

That was all I recalled
until I heard the village priest
croak like an old frog,
ask me if I was sorry
for my sins,

What sins? I only knew
someone has to cut bait,
bail out the bilge water,
die for poems about death.

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

M. J. Iuppa, “Harvest”

M. J. Iuppa’s fourth poetry collection is This Thirst (Kelsay Books, 2017). For the past twenty-nine years, she has lived on a small farm near the shores of Lake Ontario. Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability, and life’s stew.

Harvest

Placing my hands around a ripe, sun-soaked
tomato, I feel its four chambers—muscle that
counts beats in leafy darkness before I tug &
twist, teasing it out of its wire cage without
causing a rupture that bleeds—sad paradigm
of touch gone too far.

I know it’s risky—this breathless act
called harvest, where I find myself
submerged in dry heat, heeding
cicadas’ deafening decibels as I
measure this protected heart
that’s ready to burst.

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”

 

 

David Lee Garrison, “Chromatics”

David Lee Garrison, a native of Bremerton, Washington, is a retired professor of Spanish and Portuguese. His work has been read on the radio by Garrison Keillor and by Game of Thrones star Tara Fitzgerald on the BBC; it has also been featured on Ted Kooser’s poetry website. His most recent book is Carpeing the Diem: Poems about High School (Dos Madres Press).

Chromatics

Black notes
on gray staves

of oak and ash,
grackles gather.

Measure by measure
they line the branches,

inscribing
their dark music.

 

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Missile Hymnal Amulet

Poems by G. F. Boyer

These are poems of survival—especially survival of religious indoctrination. At the same time, these poems celebrate a rich natural world: the physical and sensory world of plants, animals, and insects; the innocence and presence of nature; and even an animism that overpowers Christian fundamentalism and the increasingly revealed indifference of God. Through it all, time, aging, and dark humor provide a strong pulse, saying life will go on with or without us. The title’s missile, hymnal, and amulet represent the three sides of this conundrum, as rage, beauty, and love interweave in these crisp and incisive poems. “That’s how bayonets are made, you say. The wound is triangular and doesn’t heal easily.”